LDS Audit

HERETIC Creators Meet ExMormon | Ep. 1962

"Heretic": A Critical Examination of Mormon Influence in Cinema

In the world of cinema, few films stir the pot quite like "HERETIC," a new movie starring Hugh Grant that weaves elements of suspense and horror with Mormon themes. Released to a mix of intrigue and controversy, the film raises a fundamental question: How do religious narratives, especially those linked to Mormonism, translate to mainstream media? Directed by Brian Fields and Matthew Clarke, "HERETIC" offers viewers a chance to explore religious complexity through the lens of storytelling. Its release has sparked conversations about the portrayal of Mormonism in popular culture, a subject both intriguing and contentious.

For many ex-Mormons and those with an interest in religious studies, the film offers a unique exploration of LDS Church influences in unexpected settings. The Mormon Stories Podcast host, John Dehlin, interviewed the film's creators, highlighting the nuanced blend of historical context and modern re-imaginings. This layered approach invites viewers to reconsider preconceived notions about faith, horror, and storytelling.

Context and Historical Roots of Mormon Themes in Film

Mormonism has long held a complex position in American culture. Rooted in the 19th-century theological innovations of Joseph Smith and his successors, the LDS Church has been both a subject of satire and serious examination. While the stage musical "The Book of Mormon" employed humor to probe the idiosyncrasies of missionary work, "HERETIC" leans into more suspenseful territory, suggesting a growing appetite for exploring Mormon stories in diverse ways.

The film navigates the controversial aspects of Mormon history, including polygamy and missionary work, as recalled by the film's creators. In their conversation with Dehlin, they acknowledged the tension between conveying authentic religious experiences and driving a compelling narrative arc. This balance is crucial in avoiding caricature while allowing room for commentary, a delicate dance played by many involved in religious storytelling.